Dave the Cave

Dave the Cave was a character I put together for a local magazine that we published as part of my first business.

Dave is a semi-intellectual type stuck in a caveman’s body. The first three sketches were warm-ups.Without sounding too much like a twat, one of the things I really like about sketching stuff like this is using the edges of the comic strip as part of the drawing. You can see the kind of stuff I mean in Plinth.

The whole comic strip (bottom image) appeared in the first issue of the magazine sometime in 1995…

the dead lovers

I belonged to a band called The Dead Lovers for a couple of years. We gigged around Bristol and Bath, every so often heading up to London to do some stuff up there. We supported Snow Patrol in 2003, just as they were rising up the ladder to extreme super-stardom (fuck me we got pissed that night…), and had a great time before the inevitable falling out which saw us splitting up in 2004.

In 2004 we also released our first (and sadly, only) EP, Judas the Gun. A review at the time said this:

“Judas The Gun is the first collection of songs from this Bristol, UK band. Self-released through the NJB label and distributed as a promo to magazines and record companies, the self-produced EP features the band’s standard “Lady Napalm”, a galloping, pitch-black affair which crosses from mid-nineties Radiohead into early Jeff Buckley and even Muse. The overwhelming emphasis is on the tight group performances – nothing dominates or tries to shine too brightly: singer/songwriter Tobey Keane’s voice, easily capable of swooping dynamic changes, sticks to a low register, while his acoustic guitar (beautifully played and recorded here) chimes through the uplifting chorus. It’s still a little too dark, perhaps, for the mass-market, but this kind of pretty-goth has a big following, and initial radio-play response seems to have been positive.

Much of the rest of the EP explores softer, but no less dark acoustic material. Overall, this is glorious, beautiful gloom, and as a mood-piece, Judas The Gun is tremendously appealing. The influences occasionally come through a little too strong: “Nicotine Angel Wings” plays like a companion piece to Radiohead’s epic “Exit Music For A Film” from OK Computer, but by and large the band find a path of their own and follow it with a great deal of confidence.

As a showcase of the talents of this young, unsigned band, Judas The Gun is very effective. As a complete and self-contained work it might eventually be considered too narrow to illustrate everything this band can do. However, it showcases an interesting, capable songwriter with undeniable skill, and leaves open the way for limitless expansion.

A very impressive beginning. ”

Here’s the songs – please feel free to download or just listen.

Check out the comedy promotional pics we had shot. That’s me in a cheap suit. On the right is Toby Keane, the genius who wrote all the songs. He’s still looking for a record deal and he’s re-recorded Lady Napalm for his new release. I put together a website for him at www.tobykeane.com during June/July 2008. Down the bottom are James and Harry, both musical geniuses in their own right.

plinth

I was – urm – how can I put this – involved with some student-like “activities” when plinth was on my mind. That could well explain the general weirdness. I was also a massive Stranglers fan at the time – prizes for spotting the lyric..

wait for it

Having discovered during a routine upgrade thingy whotsit that my WP install was stuffed to the nines with SEEBRITTNEYSKNOCKERS / BIKINIBABES / HUGESCHOLNG / type files I thought I’d start fresh and knock out the whole variousbits site. Clearly therefore things are under construction while I bugger it all up a bit more. Bring on a retro gif.

is late

What if the hype is actually all hype?

What if someone in the press misheard an Apple employee talking, and did that – pretty normal – press thing of inflating it beyond all proportion? What if it became a pretty standard Silicon Valley / noomeedya / excited geek Chinese whispers kind of thing, no basis of truth whatsoever:

“…well there I was at the bar, and I said to him that – well, Wednesday 27th January is late for a product launch

I mean, it wouldn’t take much, would it? A crowded room, a misheard phrase. iSlate. Is late.

Maybe “An Apple spokesman said the company did not comment on rumours” actually means “there is no fucking iSlate“?

Maybe Jobs has spent the last week desperately trying to rustle up a product, an idea, anything that fits the hype which was created out of a false rumour? Imagine the board room scene:

Jobs: “What do you mean, we have NOTHING?”

Employee: “Sir, I’m sorry, we’re just all out of ideas”

Jobs: “Nothing at all?”

Employee: “Well, we just got these shots of an iPhone and – like – well, Photoshopped them a bit and it kinda looks quite cool…”

Jobs: “But you don’t actually HAVE one, right? There IS NO PRODUCT?”

Employee: “….well…er…not as such, no”

…just sayin’…

Simple ideas, well executed

Today, following a tweet and a link to this blog post, I went out on a post-Christmas, “balls to it” kind of whim (the kind your bank manager and wife hate) and bought myself a GPS travel tracker.

This is a small  (matchbox-sized) unit with a single button on it (on/off), and it basically does one thing – logs location data at a regular (user-specifiable) frequency.

gpsunitWhy would you want to do this? Well, apart from tracking cats or taking on board the subliminal message that you might want to follow your unfaithful husband or wife (the unit is called – rather nastily – “i-gotU”), one of the main reasons is this: you can use it to geotag photos automagically.

The nice thing about the unit is that you can use it with any camera, not just your fairly-crappy iPhone (already GPS-enabled) one. How? it’s really, really simple: you just sync the clock on the GPS unit to the clock on whichever camera you’re going to use. Bingo. The supplied software does the hard work of matching geo-location to time and then (here’s the cool bit), writes that data back as EXIF to the image. In human speak, that means when you upload your pictures to Flickr or import to Picasa, the location of the image is automatically logged. And that, ladies and gentlefolks, is cool.

None of this is rocket science (although as a kid I would have probably wet myself in excitement about a matchbox-sized Bond-style tracking unit..) but the cheapness, small size, simplicity with which this particular idea has been executed is pretty compelling.

Simplicity, as always, is a fine thing.

We need a new verb

Here’s one thing that we use daily that we’ve never had to use in previous generations: passwords.

With passwords comes that moment – you know the one – when you’re at someone’s computer and they need to login to something.

You make a big show of LOOKING IN THE OTHER DIRECTION, either by wandering away in as pointed a way as you can or by DELIBERATELY DOING SOMETHING ELSE. Whatever it is you choose to do, you do anything to make it look like you’re not staring over their shoulder at the secret combination of keys they’re tapping.

Watch it happening. It’s fascinating. Some people rub their eyes in a mock show of NOT LOOKING. Others make a joke of it: “I’ll just go OVER HERE while you do that”. Some people look up at the ceiling. Others check out their phone (phones are good for situations like this, or for that moment when the drunk person starts talking to you on a bus…)

However you do it, it seems clear to me that we need a verb to describe the action..

“I’ll just degaze myself while you do that”

“Sorry, let me chicago for a moment” (cmon 80’s kids, get with it…)

“You login – I’ll just offstare until you’re done”

Maybe some latin? Or rhyming slang?

Sceptic? Stupid and cowardly, more like

Climate change sceptic? You, sir or madam, are stupid. But more importantly, you are also a coward.

You’re stupid because you’re in denial of a vast wealth of evidence. Vast. But that’s not what really needs saying: the arguments are going to roll on with the leaked emails and the naysayers, the green camps, the marches. People like James “right about everything” (his words, not mine) Delingpole are going to carry on writing the kind of stuff we’ve seen recently, and you endless lines of people denying there is anything wrong are going to keep commenting and blathering and pulling other figures out and countering every argument that is put forward.

The fact is, if we had a form signed in blood by every scientist on the planet swearing blind that all the evidence was overwhelmingly supportive of man’s impact on global warming, you’d still find something or some way to deny it. You’d probably decide that science was in fact the wrong discipline to be basing Western civilisation on, that gravity didn’t exist and we should all start howling at the moon instead. Then if we got the moon to sign the form too, you’d move on to something else. That’s what you’re like, right?

Here’s the thing that you, Mr Sceptic, seem to fail to realise:

I, and the millions of others who are convinced by the overwhelming evidence (that’s the evidence that just keeps coming pretty much universally from scientists the world over):  we don’t mind looking stupid. In thirty years time, I’m actually going to be pretty damn pleased when my kids and their kids swing by and take the piss that “once upon a time, dad thought that the WORLD WAS GOING TO END! What a FOOL!”. I’m going to laugh at myself, too. Long and very, very hard.

If I spend the next thirty years turning off lights, cutting down my waste, trying hard to economise and re-cycle and minimise my impact as much as possible and it then turns out that actually there really IS a bottomless pit of oil and a corresponding hole in the ground into which I can pour all my plastic shit, I’m going to be delighted. I’ll be out there partying with the rest of you, burning a few tyres, driving my 4×4 round the block and running my dishwasher all night. Count me in. I’ll be needing to get drunk MORE than you lot because I’ll have been denying myself all this WASTE FUN that you’ll have been having for three decades. Fantastic.

But the thing is, Mr Sceptic, I’d really rather not take the chance. And there’s two points for me here. Firstly, it’s Tim O’Reilly’s post about Pascal’s Wager: if we’re right about climate change, we should do something. If we’re wrong, what have we got to lose? Argue your arse out of that one, if you please. I know you’ll try.

Secondly, and this is possibly as important to me: wasting things is wrong. It has never been right. Food, electricity, lives: when has anything good ever come from using something that you don’t need? Why sit outside the shop with your engine running if you can turn it off and stop wasting something? Why throw plastic bags away when you can use them again? If you’re as rational as you claim to be, Mr Sceptic, please lay out the arguments why waste is good, if you please. I’d be delighted to hear them.

In short, Mr Sceptic, I would much much rather be in the camp of people who are trying and prepared to be wrong than in the camp of people who are denying. I think if you look deep inside yourself and behind your wall of bravado; I think if you take just a little bit of time to look not just at the world immediately in front of your eyes but the one beyond that; if you look behind the – oh so terribly fashionable to be cynical – exterior, you might find you actually feel the same way, too.

Latest tune…

I knocked out a quick tune last night..

You can hear it here. As always the disclaimer is: “it ain’t finished yet”; subtext: “…and probably won’t ever be…”

Things I like: the offbeat squirches when the kick and snare comes in; the dropped echoey electric piano; the slightly conflicting wash behind the back and the way that it comes to the front near the end of the mix

Things I don’t like: the bass line. That fucker is SO lazy. Sorry about that – I was tired at the time and couldn’t think of anything more interesting to do with it; the mix is also pretty lazy, but that’s me through and through. I need a TECHNICIAN to do that trivial stuff for me :-)

This, and a whole other bunch of unfinished aural fiddlings are here.

Pull

I like this. A new door, a new office, a new environment. A broken piece of usability.

Why is it that everyone (I’ve watched: it is -everyone-) thinks that this door pushes rather than pulls? Is it because it is the first door you get to from a public space and the assumption is it opens inwards? What is the norm? No idea.

pull